After having moved so many times, Cameron is finally feeling fairly at home in her routine with Oliver, caring for him as she would an elderly grandfather. But when she suddenly receives a letter from her ex-best-friend, Sonia, it cuts into her world and forces her to remember their friendship, and it chisels at the wall she’s build around herself. Oliver furthers that by sending Cameron on a mission to find Sonia in his own underhanded way, and it takes Cameron on an odyssey through her past as a way to pave her future.
It took a bit of time for this novel to capture my full attention and I believe it was because it took me awhile to like the main character, Cameron. She is introduced as a bit aloof, unattached. But as I read on, I came to understand why that was so. She’s had to move many times, as a military child, and so she’s had to adjust so many times to new situations and social norms. And then there were the disappointments and the pain, one after the other. She has hardened herself, now, and she’s afraid to be vulnerable. However, as she succumbs to the pressure of having to search for Sonia, her heart is gradually pried open by the memories that come rushing back to her and she finds her humanity – and softness – again.
One of the most striking characters is Sonia’s mother. She is severely mentally ill and abusive of Sonia both psychologically and physically. What I think is so well portrayed in this novel is not only the abuse itself, but how the abuse instills a sense of helplessness in not only the direct victims, but in those around the victims, so that they, in turn, become casualties of the abuse themselves. There is a clear ripple effect that causes very tragic collateral damage. It almost seems to have affected those around Sonia even more, perhaps, than Sonia herself. I wonder if this might actually be more realistic than we know.
This is a tender story of friendship and trust, forgiveness and humanity that I ultimately enjoyed more than I thought I would. I think you will too…
This unusual story of the quiet insurgency of Otto and Anna Quangel against Hitler’s war begins with the various characters in their apartment building. At the beginning of the story, each family has little to do with each other, but because the Gestapo has fostered a culture of paranoia and turning others against each other, each has an eye out for/against the other and their lives become unwittingly embroiled together. Ironically, the most self-contained and private of all of them, reveal themselves to be the most truly dignified, even as they are ineffectual in their attempts at postcard propaganda.
Let’s just start with the statement that this is not the usual WWII novel, at all. The quirky writing and the shift in focus from minor character to character keep it floating just a little bit above the usual depth of despair that one usually carries, although it is certainly not without its violence or death. The focus, though, is really on what is going on in Germany proper and particularly in the ” criminal justice” system. There are more than a few interlocking stories of how corrupt Nazi Party officials use their positions to gain from the losses of the masses and everyone tries to profit from informing on each other. The overarching irony becomes who are the “criminals” and who are those who deliver “justice.” The highlight of this is the actual trial scene, during which a judge essentially does the work of the prosecutor. After this, when Otto’s “defense attorney” accuses Otto of being mad for what he’s done, Otto rightly asks him, “Do you think it’s mad to be willing to pay any price for remaining decent?”
The most dignified characters here are also the most common, ordinary ones. Otto and Anna are not wealthy, and not well-educated. They are hard-working, awkward, regimented people. Otto is pretty OCD and shuns social interactions. He is not the typical novel hero. Which I think is what makes him all the more striking as a hero here. He’s saying here that anyone can, in his own, small and dignified way, stand up for what he believes in – for what is right.
There is an obvious message here and relevance to what is going on today. I apologize for my frequent references to political issues in this supposed literary blog, but I can’t help myself. As I read this book, particular lines and issues jumped out from the pages as if coming fresh out of the newspaper headlines of 2018 as well. Injustices done to people because of their race or religion, leaders getting away with abuse of power because people worshipped them valuing party over constituents, having a leader of a country who believes himself a deity deserving of unlimited power as if he is not in a democracy at all. It’s all too familiar and if we do not stop this, it will be just as it was in 1933 at the beginning of all of that.
We have to circulate our own little postcards here and now. This is mine…
Sometimes you just need to read a good murder mystery – and this one fits the bill.
Harry Bosch is just back on the job with the LAPD after being retired for a few years. He’s assigned to the group of “closers,” who solve the unsolved cases, left open for years. His first case is the murder of a 16 year old girl who had been murdered 17 years prior and new DNA evidence has just resurfaced that has given a new lead on the case. Bosch is back with his old partner, Rider, and they are immediately set into motion. But obstacles present themselves from both outside and inside the department – will he be able to see the case through?
I can’t say that this is a fun read, because the subject matter is quite tragic, but it is intriguing and challenging and engaging. The writing is direct and crisp and the dialogue is brusque and realistic. What is novel here to me is the use by the police of the press in their investigation, which is interesting (and as it happens, grossly unfortunate) – and I wonder how often that actually happens in “real life.”
I am also fascinated by the relationship that builds between police partners. It becomes somewhat like a marriage of sorts. There are signals, facial expressions, silent pauses that can be read by the partner that evolve into signals only the partner can pick up like tiny bits of morse code. It is really like a spouse, because really and truly, survival is dependent on being able to read those glances and eyebrow raises in a split second. This is referenced frequently in this story.
So while this is not an epic, “must read,” it is still a worthwhile novel if you’re looking for a murder mystery that will successfully capture your attention for a few days.
Like the first in this series, this book is lovely. It is the story of Mma Ramotse, who has established her No 1 Ladies Detective Agency in Botswana, who now happens to be engaged to be married. Here in Book 2, her life undergoes some vast changes, but she greets them with a calm acceptance as she pursues the cases that continue to be the focus of her life. These cases continue to be ones that are sometimes complex and sometimes straightforward, but always with a very human and ethical twist. There is a hint of danger and a hint of suspense, but always a great deal of heart.
What I love about the main character is that she is a beautiful feminist of the quietest and most subtle kind. She supports other women in their pursuit of their careers (as she does in promoting her own secretary) and she sticks it to men in a discrete but very direct way to get her message across. There are many times when feminists must beat the drums and rally the marches – I am not against that at all – but it is in these quiet moments, behind closed doors when one can really change the minds and hearts of the men who might be most resistant. There are moments in this book that demonstrate that quite poignantly.
I think I have to move on from this series, but I will definitely return to it at some point. It definitely gives me peace.
After a devastating accident leaves Shelby with an onerous survivor’s guilt, she wilts into a depression and essentially withdraws from her life. People around her — particularly her mother — try very hard to pull her out, but it is only when she begins to discover her drive to save mistreated animals that she finds a purpose in her life and a reason for her to actually connect with other people as well.
This story actually starts off so simply and slowly that it seems almost too simplistic. But it builds insidiously and the characters develop a charm and sweetness that work their way into your heart even before you know it. Even while Shelby is being rude and harsh, you can only feel sadness for her because of her tragic brokenness.
The writing here is remarkable as well. It is written in the present tense, which I usually find annoying. (I can’t even say why that is so.) However, in this case, I actually think it works. But Shelby can only live in the moment, in the here and now and has trouble thinking about a future; therefore a present tense is a logical way to express her story. There is also an intentional stiffness to the writing in general – to the description as well as the dialogue. It is very effective in relaying how awkwardly Shelby relates to others. There is only a comfort or warmth that shines through with very few people, and that becomes obvious as time goes on.
This is a heart-wrenching story but very moving and well-written. Another winner by Alice Hoffman!
“Ike” Goldah seems to be finding his way to adjusting to life after the concentration camps of World War II. He has come straight from the DP camp to live with his cousins in Savannah, Georgia. His cousin has set him up with a room in their house, a job in his shoe store, and he is even looking into doing some writing on the side, which was his previous career before the war. That is, until he has a surprise visitor who is like a ghost from his past – and seems to turn his world upside down.
I really like this book for its many plot threads and themes. You can look at the Jewish Holocaust themes, but there are also comparisons between the Jew/non-Jew and Black/White race relations that are laid out so starkly here. In addition, Goldah’s cousin is involved in illegal dealings with his shoe business that are a bit murky but that give the story another dimension. Goldah’s love interests also create another side story, giving his “visitor” addition a real shock value.
I actually think the book could have been expanded upon. It felt like it ended much too soon. The characters were great and there was so much happening in it that it could have been broadened further. I was left wanting much more.
I think this book was a good read, but probably edited down a bit too much.
This is an example of a great idea poorly executed.
Paul is a successful writer of food and wine books who has just been jilted by his girlfriend of 4 years. In a bit of depression and in a rut, his agent (who of course, happens to be single, intelligent, and attracted to him) sends him to Italy to work on his next book. In a bizarre set of circumstances, he ends up with a rented bulldozer as his means of rented transportation during his stay. On his first foray to explore his new town, he happens upon a beautiful, intelligent woman who has run her car into a ditch and lo and behold (!) a bulldozer just might do the trick!
There are a few tiny plot strands that are started in this book that could make the book so interesting that unfortunately are never pursued. There is the evil-looking man that Paul is jailed with on entering the country (yes, jailed!), there is the boyfriend of the beautiful woman who has a port wine stain, and there are other towns folk who might be more involved in a more interesting plot than they are. But no, the author chooses to make his former girlfriend as truly shallow and predictable as she is (then why would he have spent the past 4 years with her??), and the ending as neat and predictable as it becomes.
There is so much potential here. I did finish it, but I spent most of the book waiting for something of substance to happen. I think I’m still waiting…