Anna has been watching the world from her windows for the past ten months. A little ironic that a psychologist would develop agoraphobia, but this is the situation she finds herself in. After she witnesses a probable murder through one of her windows, she tries to convince those around her that someone is in danger but somehow things get twisted and people are finding it hard to believe Anna, considering all that Anna has been through herself. It’s even getting hard for Anna to believe it herself, but she knows what she saw… or does she?
This is a psychological thriller crisply written and immaculately spun. There are twists and turns in the plot that would have Agatha Christie surprised and that had me exclaiming out loud to the pages of the book (ask my family – it’s true!). Those pages had to keep turning or I could not sleep! The characters are not all that fully developed, except for that of Anna’s, but it’s not that kind of a story. It just works.
Let’s just say that if you start this book, be prepared to not be able to put it down until you finish it.
Got to give it a “Must Read!” Just for the fun of it!
After having moved so many times, Cameron is finally feeling fairly at home in her routine with Oliver, caring for him as she would an elderly grandfather. But when she suddenly receives a letter from her ex-best-friend, Sonia, it cuts into her world and forces her to remember their friendship, and it chisels at the wall she’s build around herself. Oliver furthers that by sending Cameron on a mission to find Sonia in his own underhanded way, and it takes Cameron on an odyssey through her past as a way to pave her future.
It took a bit of time for this novel to capture my full attention and I believe it was because it took me awhile to like the main character, Cameron. She is introduced as a bit aloof, unattached. But as I read on, I came to understand why that was so. She’s had to move many times, as a military child, and so she’s had to adjust so many times to new situations and social norms. And then there were the disappointments and the pain, one after the other. She has hardened herself, now, and she’s afraid to be vulnerable. However, as she succumbs to the pressure of having to search for Sonia, her heart is gradually pried open by the memories that come rushing back to her and she finds her humanity – and softness – again.
One of the most striking characters is Sonia’s mother. She is severely mentally ill and abusive of Sonia both psychologically and physically. What I think is so well portrayed in this novel is not only the abuse itself, but how the abuse instills a sense of helplessness in not only the direct victims, but in those around the victims, so that they, in turn, become casualties of the abuse themselves. There is a clear ripple effect that causes very tragic collateral damage. It almost seems to have affected those around Sonia even more, perhaps, than Sonia herself. I wonder if this might actually be more realistic than we know.
This is a tender story of friendship and trust, forgiveness and humanity that I ultimately enjoyed more than I thought I would. I think you will too…
It is hard to live in a small town — but it is yet harder to be the wife of a Rector in a small town, as Anna has found to be the case. When her husband is passed over for a promotion within the Church and he withdraws emotionally, she finds she has nowhere to turn. The struggle for Anna is to find herself amidst the loss, even while upholding her responsibilities to the Church, her children, her husband, and ultimately, to herself.
This is a portrait of the struggle of women, particularly as seen historically within religious institutions. They are typically only seen as instruments of support for the men who are doing the real work (the work of God in this case, but it can be applied to most any work, really); that is, the men are married to the church and the women are married to the men. Anna, here, struggles to find who she is and what she can do herself. She finds herself a part-time job – all she is doing is stacking jars at a local grocery store to make ends meet – and this is perceived as utterly rebellious by not only the parishioners but by her own husband. Fortunately, she is strengthened by her experience and resists the pressures around her and when life suddenly turns around in an unexpected plot twist she sustains that strength and her dignity as well.
This happened to be a little paperback novel I picked up at a second hand book fair– I didn’t expect all that much and I was pleasantly surprised at how much I enjoyed the writing, the characters, and the story. Although written in the 1990’s, it was not so dated that it wasn’t relevant, including themes of bullying (although not calling it out as that), and harassment of women. It also taught me a bit about the Protestant church and the hierarchy of its ministers, which I feel I can always learn more about.
There were some issues with believability. It seemed that Anna was someone that every man fell in love with (or at least the most handsome and the richest ones!) and every woman was jealous of. Her daughter seems to have difficulty relating to her peers but gradually makes friends magically. And so on… But for the most part, it’s a reasonable read.
So, it’s not a “must read” but it’s certainly a thumbs up!
Ava is still feeling raw, even a year after her husband has left her for a woman who is famous for “yarning” statues and signs. Thank goodness for her new book club, which has let her join for the new year. Unfortunately, in her yearning to be accepted, she has sworn that she’d procure the author of her book to appear at their meeting at the end of the year – and it just might take the whole year to find this obscure author!
At first glance, this book appears to be a somewhat superficial novel – but it very quickly delves beneath the surface, plunging into Ava’s traumatic childhood, and focusing also on her daughter, Maggie, who is lost and has lost herself in Paris. While there is not much discussion about feelings, there is much that is clearly felt, and the awkward moments are palpable in this book. Maggie’s character, in particular, is extremely poignant and sympathetic, and I felt very drawn to her. The change in voice from Ava’s to Maggie’s also helps to deepen the complexity of the plot and help move the story line along as well. It is quite suspenseful in some parts, especially when it comes to Maggie, as she engages in some very dangerous behaviors.
Spoiler alert: Don’t read the next paragraph if you don’t want to know my opinion about the ending…
Because my opinion is that the very ending is unfortunate. The book is actually quite good. I am not sure, however, why authors feel compelled to wrap their productions in such neat packages. Life isn’t like that so why do stories have to be? Even if the book had been as it is right up until the second to last page, it would have been ok. But literally the last 2 pages undid the book for me – just sent it right down the path to cheesy. Such a disappointment…
But overall, I’d still recommend this book – it’s a solid read and very engaging. And I personally enjoyed the location – as most of it took place in my original home town of Providence, RI – which does not happen very often!
This was a sweet story about Josie, the owner of a bed and breakfast, whose Christmas holiday is off to a crazy start with her friend having a heart attack in the middle a bridge game in her home. This reminder of the vulnerability of life triggers her to invite her estranged daughters to come home for Christmas, much to their surprise, and it invites a lot of nostalgia mixed with emotional eruptions.
I think I’d describe this book as benign; it’s a decent read, quick, keeps one’s interest, the characters are likable, the writing is passable – but there is nothing imaginative about it. I did not learn anything new from it. There was nothing culturally unusual about it.
I do find stories about relationships interesting – mother/daughter, wife/husband, generational conflicts, etc. This touches on some of this. But I found that some of this is left undone, or kept at the surface. There is never a deep unpacking of the deeper relationship or feelings. There is never the huge explosion that there should be when emotions run so high.
I was left wanting just a little bit more. And in this case, that was not a good thing…
After 24 years of marriage, Elizabeth has finally come to terms with the fact that her husband, Jack, and her 2 daughters have all taken center stage in her life, leaving her to cast aside her own dreams and aspirations. When Jack was a famous football star, she cared for her young daughters mostly by herself. When Jack later became a smaller time sports caster, moving from town to town where opportunities arose, she duly followed. But now that the girls are both out of the house, she realizes that it is time for her to attend to herself – she just has to figure out whether that plan will include Jack or not…
This is a story that will, sadly, strike a familiar chord with many readers, I believe. When the nest empties, it is often a challenge for couples to fill the void – or it is the time when the void has to finally be acknowledged. Hannah describes this conflict with sensitivity, honesty and warmth, presenting both Elizabeth’s and Jack’s sides to a complicated story.
I think it was not good that I knew before reading this book that the author had written The Nightingale. That book was so outstanding that I had elevated expectations for this one. For example, some subplots were hinted at but then left undone. One character, Kim, who Elizabeth met in a support group, was a mysterious, moodier member of the group. It appeared that she was going to be more of a presence in the book (and it was an interesting possibility), but she was just sort of abandoned in a more underdeveloped state.
I would still recommend this book – it was a nice read – but manage your expectations if you’ve read The Nightingale!
In this slightly outlandish story, Sophie finds herself sucked into the circumstances of her ex-boyfriend’s family, when his Aunt Connie has died and left her house on an island to Sophie. This is no ordinary island, however. It is on this island, where many years prior, Connie and her sister, Rose, walked into their neighbors’ house, expecting to have tea with their neighbors, Jack and Alice Munro, when they discovered their baby girl left unattended, with Jack and Alice having mysteriously vanished. Sophie herself remembers visiting the island, now a shrine of sorts (and the source of a healthy income for the sisters), where the rooms were left untouched, still with bloodstains and an unfinished crossword puzzle, just as if they’d just deserted the room that morning. As the events unfold, the family and their individual struggles and conflicts come to light and Sophie finds peace with her own life as she helps them with theirs.
As usual, Moriarty tells a tale that is alternatively amusing and tragic. While the premise is a little far-fetched, the struggles that these quirky characters are coping with – relationship issues, depression, child neglect and worse – are quite realistic. And Moriarty’s signature humor and warmth follow each character through to the end.
If you’re looking for a fun read with some substance, this is your book!